On Sunday, Townhall posted an article about the the historic “Christ on the Water” painting at the U.S. Merchant Marine Academy. Because of a complaint about the Christian theme of the painting, the painting had been placed in the “flood-prone basement of the Academy’s chapel.”
The article reports:
Transportation Secretary Sean Duffy fulfilled his promise to restore the historic “Christ on the Water” painting at the U.S. Merchant Marine Academy to the Elliot M. See Room of Wiley Hall.
Painted in 1944 by marine artist Lt. Hunter Wood, the 10-foot by 19-foot piece of artwork was prominently displayed for nearly 80 years before constitutional complaints made during the Biden administration led to its relocation in the “flood-prone basement of the Academy’s chapel,” the Transportation Department said.
“Burying this historic painting in the basement wasn’t just a mistake—it was an insult to the faith and legacy of service that built this Academy and our nation,” Duffy said in a statement. “By restoring ‘Christ on the Water’ to its rightful place, we sent a clear message to our midshipmen: their Christian faith is a virtue to be proud of, not something to be censored.”
Burying America’s Christian heritage in the basement is not appropriate. It should be noted that America’s Founding Fathers established a church within the United States Capitol before it was complete and continued to hold Church services in the Capitol until after the Civil War (source here). The Judeo-Christian ethic is the foundation of our legal system. If you continue to try to destroy the foundation, eventually the building collapses.
The article at Townhall includes the Academy Superintendent’s response to returning the painting to its rightful place:
“I want to thank Secretary Duffy for his continued support of our Academy and the midshipmen who call this place home,” said U.S. Merchant Marine Academy Acting Superintendent Captain Tony Ceraolo. “Our purpose today is to preserve a piece of the Academy’s cultural and historical legacy. We honor the past and the resilience of those who came before us. This painting is about history, remembrance, and hope ensuring that the story of our midshipmen and their wartime experiences remain part of our shared institutional memory.”